PROGRAM
《M1》THE ASTONISHING FRAME 16mm Restorations from the Academy Film Archive
【TOKYO】Theatre Image Forum： 10/3(TUE) 21:00、10/5(THU)13:00
【KYOTO】The Museum of Kyoto：11/17(FRI) 13:30
10 works, 87 min.
A selection of experimental films representing the 70s West Coast USA, restored by the Academy Film Archive.
The Academy of Motion Picture Arts and Sciences of the United States, the organizer of the world-renowned Academy Awards, is also in the business of preserving and restoring films. Its scope extends not only to so-called major films and commercial films, but also to avant-garde films. The Academy places particular emphasis on works by local filmmakers from the Los Angeles area. The program includes gems from the 70s and 80s, including some that have never been shown in Japan before.
Curation: Mark TOSCANO (Academy Film Archive)
WaterfallRoseblood Sharon COUZIN / 16mm / 7min. / 1974 (USA)
Pasadena Freeway Stills Gary BEYDLER / 16mm / 6min. / 1974 (USA)
Place Mattes Barbara HAMMER / 16mm / 8min. / 1987 (USA)
Primary Stimulus Robert RUSSETT / 16mm / 8min. / 1977(1988) (USA)
Analogies Peter ROSE / 16mm / 14min. / 1977 (USA)
Twelve (The First Three Parts…) Beth BLOCK / 16mm / 9min. / 1977 (USA)
Panorama Michael RUDNICK / 16mm / 12min. / 1982 (USA)
Loose Corner Michael RUDNICK / 16mm / 12min. / 1982 (USA)
Throbs Fred WORDEN / 16mm / 7min. / 1972 (USA)
“Yes, I Said Yes, I Will, Yes.” Phil SOLOMON / 16mm / 3min. / 1999 (USA)
