{"id":844,"date":"2025-09-10T13:12:46","date_gmt":"2025-09-10T04:12:46","guid":{"rendered":"https:\/\/www.imageforumfestival.com\/2025\/?page_id=844"},"modified":"2025-09-10T13:21:04","modified_gmt":"2025-09-10T04:21:04","slug":"program-o","status":"publish","type":"page","link":"https:\/\/www.imageforumfestival.com\/2025\/en\/program-o\/","title":{"rendered":"\u300aO\u300bPaolo GIOLI: The Trembling Eye"},"content":{"rendered":"<div class=\"film-list\">\n<div class=\"capimg\">\n    <img decoding=\"async\" src=\"\/2025\/images\/O4_QUANDO-LOCCHIO-TREMA_01.jpg\" alt=\"\" \/>Quando l\u2019occhio trema\n  <\/div>\n<div>\n    <span>Italy<\/span><\/p>\n<h2>Paolo GIOLI: The Trembling Eye<\/h2>\n<h3>6 works, 68 min.<\/h3>\n<p>    A leading figure in Italian experimental film in the 1970s, Paolo GIOLI began his career as a painter and was also internationally renowned as a photographer. His films are receiving renewed acclaim for their ambitious approach that enthusiastically employs techniques from the prehistory of cinema such as pinhole cameras and sequential photographs to paradoxically retrace the history of moving images, and this program offers a selection of his works never before screened in Japan.<\/p>\n<p>    <strong>Film Stenopeico<\/strong>\u300016mm \/ 13min \/ 1974-89<br \/>\n    <strong>Second il mio occhio di vetro<\/strong>\u300016mm \/ 10min \/ 1972<br \/>\n    <strong>Piccolo Film Decomposto<\/strong>\u300016mm \/ 15min \/ 1986<br \/>\n    <strong>Quando l\u2019occhio trema<\/strong>\u300016mm \/ 11min \/ 1988<br \/>\n    <strong>I volti dell\u2019anonimo<\/strong>\u300016mm \/ 11min \/ 2009<br \/>\n    <strong>Natura Obscura<\/strong>\u300016mm \/ 8min \/ 2003-13<\/p>\n<p>    \u25ba Sat, Sep 27 at 9:00pm \u2013 Guest talk by Ryusuke ITO (filmmaker) following the screening\n  <\/p><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Quando l\u2019occhio trema Italy Paolo GIOLI: The Trembling Eye 6 works, 68 min. A leading figure in Italian experimental film in the 1970s, Paolo GIOLI began his career as a painter and was also internationally renowned as a photographer. His films are receiving renewed acclaim for their ambitious approach that enthusiastically employs techniques from the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"program.php","meta":{"_acf_changed":false,"_locale":"en_US","_original_post":"https:\/\/www.imageforumfestival.com\/2025\/?page_id=842","footnotes":""},"class_list":["post-844","page","type-page","status-publish","hentry","en-US"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.imageforumfestival.com\/2025\/wp-json\/wp\/v2\/pages\/844","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.imageforumfestival.com\/2025\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.imageforumfestival.com\/2025\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.imageforumfestival.com\/2025\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.imageforumfestival.com\/2025\/wp-json\/wp\/v2\/comments?post=844"}],"version-history":[{"count":2,"href":"https:\/\/www.imageforumfestival.com\/2025\/wp-json\/wp\/v2\/pages\/844\/revisions"}],"predecessor-version":[{"id":859,"href":"https:\/\/www.imageforumfestival.com\/2025\/wp-json\/wp\/v2\/pages\/844\/revisions\/859"}],"wp:attachment":[{"href":"https:\/\/www.imageforumfestival.com\/2025\/wp-json\/wp\/v2\/media?parent=844"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}