{"id":820,"date":"2025-09-10T11:58:42","date_gmt":"2025-09-10T02:58:42","guid":{"rendered":"https:\/\/www.imageforumfestival.com\/2025\/?page_id=820"},"modified":"2025-09-10T11:58:42","modified_gmt":"2025-09-10T02:58:42","slug":"program-i","status":"publish","type":"page","link":"https:\/\/www.imageforumfestival.com\/2025\/en\/program-i\/","title":{"rendered":"\u300aI\u300bFilms and Words 4: Ten Skies"},"content":{"rendered":"<div class=\"film-list\">\n<div class=\"capimg\">\n    <img decoding=\"async\" src=\"\/2025\/images\/I_Ten-Skies_TIFF_1440x1080_01.jpg\" alt=\"\" \/>Ten Skies\n  <\/div>\n<div>\n    <span>USA<\/span><\/p>\n<h2>Films and Words 4: Ten Skies<\/h2>\n<h3>1 work, 101 min.<\/h3>\n<p>    Ten, ten-minute shots of the sky. An \u201cextreme film\u201d that can be described as James BENNING\u2019s apogee.<\/p>\n<p>    These images of the sky on the outskirts of Los Angeles are a culmination of the style for which BENNING is known: sequences of stationary shots of American scenery on 16mm film. The first Japanese screening of the new digital remaster of this unsurpassably simple and at the same time complex work that is extremely challenging for both those who view it and those who talk about it.<\/p>\n<p>    <strong>Ten Skies<\/strong>\u3000James BENNING \/ 16mm (digital version) \/ 101min \/ 2005<\/p>\n<p>    \u25ba Curated by Erika BALSOM (film critic)<br \/>\n    \u25ba Tue, Sep 30 at 11:00am \u2013 Guest talk by Erika BALSOM following the screening\n  <\/div>\n<\/div>\n<p><strong>\u25ceAssociated Special Program<\/strong><br \/>\n<strong>Experimental Cinema in Words: Special Screening and Critical Writing Workshop 2025<\/strong><br \/>\nDetails &#038; Registration (External Peatix site): <a href=\"https:\/\/iff2025-ws.peatix.com\/\" target=\"_blank\">https:\/\/iff2025-ws.peatix.com\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ten Skies USA Films and Words 4: Ten Skies 1 work, 101 min. Ten, ten-minute shots of the sky. An \u201cextreme film\u201d that can be described as James BENNING\u2019s apogee. These images of the sky on the outskirts of Los Angeles are a culmination of the style for which BENNING is known: sequences of stationary [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"program.php","meta":{"_acf_changed":false,"_locale":"en_US","_original_post":"https:\/\/www.imageforumfestival.com\/2025\/?page_id=817","footnotes":""},"class_list":["post-820","page","type-page","status-publish","hentry","en-US"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.imageforumfestival.com\/2025\/wp-json\/wp\/v2\/pages\/820","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.imageforumfestival.com\/2025\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.imageforumfestival.com\/2025\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.imageforumfestival.com\/2025\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.imageforumfestival.com\/2025\/wp-json\/wp\/v2\/comments?post=820"}],"version-history":[{"count":1,"href":"https:\/\/www.imageforumfestival.com\/2025\/wp-json\/wp\/v2\/pages\/820\/revisions"}],"predecessor-version":[{"id":821,"href":"https:\/\/www.imageforumfestival.com\/2025\/wp-json\/wp\/v2\/pages\/820\/revisions\/821"}],"wp:attachment":[{"href":"https:\/\/www.imageforumfestival.com\/2025\/wp-json\/wp\/v2\/media?parent=820"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}