{"id":774,"date":"2025-09-03T22:40:41","date_gmt":"2025-09-03T13:40:41","guid":{"rendered":"https:\/\/www.imageforumfestival.com\/2025\/?page_id=774"},"modified":"2025-09-14T18:06:04","modified_gmt":"2025-09-14T09:06:04","slug":"program-workshop","status":"publish","type":"page","link":"https:\/\/www.imageforumfestival.com\/2025\/en\/program-workshop\/","title":{"rendered":"\u300aWS\u300bExperimental Cinema in Words: Special Screening and Critical Writing Workshop 2025"},"content":{"rendered":"
As part of its educational outreach, the Image Forum Festival 2025 will host the special workshop program Experimental Cinema in Words: Special Screening and Critical Writing Workshop 2025<\/strong>, which combines film screenings with lectures led by four prominent critics and curators. This unique program is designed to support and inspire the next generation of critical voices in the field.
\nDuring the festival, participants will develop their own film critique plans and take on the challenge of writing actual reviews. After the festival concludes, the completed critiques will be featured on a special section of the Image Forum website. (*Participation is by advance registration only.)<\/p>\n

\u3010Registration\u3011https:\/\/iff2025-ws.peatix.com<\/a>
\n\u3010Capacity\u301110 participants
\n\u3010Fee\u3011\u00a518,000\uff08includes an IFF2025 all-access pass and the official festival catalogue\uff09
\n\u3010Venue\u3011Theatre Image Forum<\/p>\n

\u2605Program F-K trailer\uff1ahttps:\/\/youtu.be\/qsU7W4zR1-U<\/a><\/p>\n

\u3010Schedule\u3011
\n\u300a\uff11\u300bSat., September 27<\/strong>
\n1:30pm\u3000\u3000\u3000\u3000 Program F
\n4:00pm-5:30pm\u3000Lecture by MA Jung-Yeon
\n\u300a\uff12\u300bSun., September 28<\/strong>
\n1:30pm\u3000\u3000\u3000\u3000 Program G
\n4:00pm-5:30pm\u3000Lecture by Wiwat LERTWIWATWONGSA
\n\u300a\uff13\u300bMon., September 29<\/strong>
\n1:30pm\u3000\u3000\u3000\u3000 Program H
\n4:00pm-5:30pm\u3000Lecture by Bunga SIAGIAN
\n\u300a\uff14\u300bTue., September 30<\/strong>
\n11:00am \u3000 Program I
\n1:30pm\u3000\u3000\u3000\u3000 Program J
\n4:00pm-5:30pm\u3000Lecture by Erika BALSOM
\n\u300a\uff15\u300bFri., October 3<\/strong>
\n3:00pm Presentation and Feedback on Participants\u2019 Criticism Plans<\/p>\n

\uff0aAdvance registration is required to participate.<\/em>
\n\uff0aLectures will be conducted primarily in English.<\/em>
\n\uff0aParticipants are expected to attend all sessions except for Program\u300a6\u300b, which is optional.<\/em>
\n\uff0aAll screening programs are open to the general public, not limited to workshop participants.<\/em><\/p>\n

\u300a\uff11\u300b\u73fe\u4ee3\u7f8e\u8853\u3001\u5b9f\u9a13\u6620\u753b\u3001\u305d\u306e\u4ea4\u5dee\u70b9\u3000Contemporary Art, Experimental Cinema, and Their Intersection<\/strong>
\n\u25a0 Screening<\/strong>
\nOn Saturday, September 27 at 1:30pm\u3000Program F (6 works, 97 min) + post-screening talk<\/p>\n

\u25a0 Lecture<\/strong>
\nOn Saturday, September 27 from 4:00pm to 5:30pm\u3000Lecturer\uff1aMA Jung-Yeon (researcher in film and new media studies)<\/p>\n

In the context of contemporary fine art, moving images come and go between spacial unfolding in art galleries and screenings at film festivals. While paying respect to the history of video art that explores the mediality distinguishing television and film, and conscious of the gap that intervenes there, this form of art is referred to as “moving images” or “artist’s film\/cinema.” This selection aims to reconsider the expansion in the scope of “experiment” revealed by the almost 40-year history of the Image Forum Festival and the richness of time found in “short films” where various genres intersect. \u2014 MA Jung-Yeon<\/p>\n

\u300a\uff12\u300b\u201c\u898b\u3048\u3056\u308b\u624b\u201d\u3092\u898b\u3064\u3081\u308b\u3000Seeing an Invisible Hand<\/strong>
\n\u25a0 Screening<\/strong>
\nOn Sunday, September 28 at 1:30pm\u3000Program G (4 works, 88min) + post-screening talk<\/p>\n

\u25a0 Lecture<\/strong>
\nOn Sunday, September 28 from 4:00pm to 5:30pm\u3000Lecturer\uff1aWiwat LERTWIWATWONGSA (film critic, author)<\/p>\n

\u6620\u50cf\u306f\u3001\u4ed6\u306e\u611f\u899a\u3088\u308a\u3082\u8996\u899a\u306b\u5c0e\u304b\u308c\u308b\u30e1\u30c7\u30a3\u30a2\u3068\u8a00\u3048\u308b\u3002\u3057\u304b\u3057\u6620\u50cf\u306f\u30b5\u30a6\u30f3\u30c9\u3068\u5171\u8b00\u3057\u3066\u79c1\u305f\u3061\u304c\u672c\u5f53\u306b\u898b\u3066\u3044\u308b\u3082\u306e\u3092\u660e\u3089\u304b\u306b\u3057\u3001\u6700\u7d42\u7684\u306b\u79c1\u305f\u3061\u306b\u300c\u898b\u3048\u306a\u3044\u3082\u306e\u300d\u3092\u63a2\u6c42\u3059\u308b\u6a5f\u4f1a\u3092\u4e0e\u3048\u3066\u304f\u308c\u308b\u3002\u9006\u306b\u3001\u6620\u50cf\u306b\u3064\u3044\u3066\u66f8\u304f\u3053\u3068\u306f\u3001\u8aad\u3080\u884c\u70ba\u3092\u901a\u3058\u3066\u300c\u898b\u3048\u306a\u3044\u3082\u306e\u300d\u3092\u53ef\u8996\u5316\u3059\u308b\u3053\u3068\u3060\u3068\u8a00\u3048\u3088\u3046\u2014\u2014\u76ee\u3067\u898b\u3048\u308b\u3082\u306e\u3092\u6539\u3081\u3066\u63cf\u5199\u3057\u3001\u305d\u306e\u610f\u5473\u3092\u8aac\u660e\u3057\u3088\u3046\u3068\u3059\u308b\u3053\u3068\u3067\u3002
\n\u2014 \u30a6\u30a3\u30fc\u30ef\u30c3\u30c8\u30fb\u30eb\u30fc\u30c8\u30a6\u30a3\u30fc\u30ef\u30c3\u30c8\u30aa\u30f3\u30b5\u30fc<\/p>\n

\u300a\uff13\u300b\u30b7\u30cd\u30de\u30fb\u30aa\u30d6\u30fb\u30cb\u30e5\u30fc\u30fb\u30a8\u30de\u30fc\u30b8\u30f3\u30b0\u30fb\u30d5\u30a9\u30fc\u30bb\u30ba\uff08SINEFO\uff09\uff1a\u65b0\u8208\u52e2\u529b\u6620\u753b\u3000SINEFO\uff1a Sinema of New Emerging Forces<\/strong>
\n\u25a0 Screening<\/strong>
\nOn Monday, September 29 at 1:30pm\u3000Program H + post-screening talk<\/p>\n

\u25a0 Lecture<\/strong>
\nOn Monday, September 29 from 4:00pm to 5:30pm\u3000Lecturer\uff1aBunga Siagian (curator, researcher)<\/p>\n

Sparked by the Bandung Conference in 1955, a collective anti-colonialism\/anti-imperialism movement spread throughout the nations of Asia and Africa. This movement affected not only the domain of politics but also the domain of cinema. In 1958 Afro-Asian film festivals were held in Tashkent, Cairo, and Jakarta, and interaction and exchange between people involved in film in the Global South began. Bunga SIAGIAN, who has tried to bring the phrase \u201cthird world cinema\u201d back into the current discourse based on her research on this movement, will lecture on her own undertakings in this field. An attempt to conceive of a process to overcome the current state of division through international dialogue and the study of lost historical resources.<\/p>\n

\u300a\uff14\u300b\u898b\u308b\u3053\u3068\u3068\u8a71\u3059\u3053\u3068\uff1a\u5b9f\u9a13\u6620\u753b\uff08\u30a8\u30af\u30b9\u30da\u30ea\u30e1\u30f3\u30bf\u30eb\u30fb\u30b7\u30cd\u30de\uff09\u306b\u3064\u3044\u3066\u66f8\u304f\u3000Seeing and Saying: Writing on Experimental Cinema<\/strong>
\n\u25a0 Screening #1<\/strong>
\nOn Tuesday, September 30 at 11:00am\u3000Program I + post-screening talk<\/p>\n

\u25a0 Screening #2<\/strong>
\nOn Tuesday, September 30 at 1:30pm\u3000 Program J + post-screening talk<\/p>\n

\u25a0 Lecture<\/strong>
\nOn Tuesday, September 30 from 4:00pm to 5:30pm\u3000Lecturer\uff1aErika BALSOM (film critic)<\/p>\n

When James Benning discusses his approach to making films, he describes it as \u201clooking and listening.\u201d Writing about experimental film involves a slightly different, but related set of actions: seeing and saying. In this talk, I will discuss my experience of the specific pleasures and challenges that arise in writing about forms of cinema that break with conventions of the mainstream, as well as the ecosystem of publications that exists to support this activity. At the heart of my remarks is the conviction that writing about experimental cinema at its best shares some of the qualities of its object: it is a resistant practice that breaks with established modes of expression and stands in opposition to the forms of consumption and attention that too often dominate contemporary life. \u2014 Erika BALSOM<\/p>\n

\u300a\uff15\u300b\u53d7\u8b1b\u8005\u306b\u3088\u308b\u6279\u8a55\u30d7\u30e9\u30f3\u306e\u767a\u8868\u3001\u8b1b\u8a55\u3000Final Session: Presentation and Feedback on Participants\u2019 Criticism Plans<\/strong>
\nDate\uff1aOn Friday, October 3 from 3:00pm \uff0f Lecturer\uff1aMA Jung-Yeon<\/p>\n

\u300a\uff16\u300b\u53c2\u8003\u4e0a\u6620\u30d7\u30ed\u30b0\u30e9\u30e0\u300eGOSHOGAOKA\u300f\u3000Reference Screening Program: GOSHOGAOKA<\/strong>
\nScreening Dates\uff1a[1] On Monday, September 29 at 11:00am\u3000[2] On Thursday, October 2 at 1:30pm<\/p>\n

\u52a9\u6210\uff1a\u30a2\u30fc\u30c4\u30ab\u30a6\u30f3\u30b7\u30eb\u6771\u4eac [\u6771\u4eac\u82b8\u8853\u6587\u5316\u5275\u9020\u767a\u4fe1\u52a9\u6210\uff08\u5358\u5e74\u52a9\u6210\uff09] \u82b8\u8853\u5275\u9020\u6d3b\u52d5\u3001\u516c\u76ca\u8ca1\u56e3\u6cd5\u4eba\u30dd\u30fc\u30e9\u7f8e\u8853\u632f\u8208\u8ca1\u56e3<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

As part of its educational outreach, the Image Forum Festival 2025 will host the special workshop program Experimental Cinema in Words: Special Screening and Critical Writing Workshop 2025, which combines film screenings with lectures led by four prominent critics and curators. This unique program is designed to support and inspire the next generation of critical […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"program.php","meta":{"_acf_changed":false,"_locale":"en_US","_original_post":"https:\/\/www.imageforumfestival.com\/2025\/?page_id=772","footnotes":""},"class_list":["post-774","page","type-page","status-publish","hentry","en-US"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.imageforumfestival.com\/2025\/wp-json\/wp\/v2\/pages\/774","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.imageforumfestival.com\/2025\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.imageforumfestival.com\/2025\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.imageforumfestival.com\/2025\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.imageforumfestival.com\/2025\/wp-json\/wp\/v2\/comments?post=774"}],"version-history":[{"count":6,"href":"https:\/\/www.imageforumfestival.com\/2025\/wp-json\/wp\/v2\/pages\/774\/revisions"}],"predecessor-version":[{"id":923,"href":"https:\/\/www.imageforumfestival.com\/2025\/wp-json\/wp\/v2\/pages\/774\/revisions\/923"}],"wp:attachment":[{"href":"https:\/\/www.imageforumfestival.com\/2025\/wp-json\/wp\/v2\/media?parent=774"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}