{"id":3200,"date":"2021-09-23T17:50:59","date_gmt":"2021-09-23T08:50:59","guid":{"rendered":"http:\/\/www.imageforumfestival.com\/2021\/?page_id=3200"},"modified":"2021-10-21T21:11:28","modified_gmt":"2021-10-21T12:11:28","slug":"program-g","status":"publish","type":"page","link":"https:\/\/www.imageforumfestival.com\/2021\/en\/program-g","title":{"rendered":"G Film in Shelter"},"content":{"rendered":"<p>The existence of \u201cfilm\u201d is under threat for various reasons, including natural disasters and political strife. Material to be screened disappears or is damaged\/degrades. Screening sites and programming itself may also be exposed to crises. What can film do survive when circumstances arise in which it is difficult for \u201cfilm\u201d to exist? This program looks for potential answers to this question through a transnational, pan-Asian dialogue.<br \/>\nSupported by Arts Council Tokyo (Tokyo Metropolitan Foundation for History and Culture) and the Japan Foundation Asia Center<\/p>\n\n<a href=\"program-g1\">\n<div class=\"program-d-list\">\n<div><img src=\"http:\/\/www.imageforumfestival.com\/2021\/images\/G1_BurnBoys.jpg\" \/><\/div>\n<h3><big>G1<\/big>MYANMAR<br \/><small>Wathann Film Festival and the 10 years of Myanmar Independent Cinema<\/small><\/h3>\n\n<\/div>\n<\/a>\n<a href=\"program-g2\">\n<div class=\"program-d-list\">\n<div><img src=\"http:\/\/www.imageforumfestival.com\/2021\/images\/G2_TungkungLangit.jpg\" \/><\/div>\n<h3><big>G2<\/big>THE PHILIPPINES<br \/>&#8220;Keep Your Head to the Sky&#8221;<br \/>\n<\/h3>\n\n<\/div>\n<\/a>\n<a href=\"program-g3\">\n<div class=\"program-d-list\">\n<div><img src=\"http:\/\/www.imageforumfestival.com\/2021\/images\/G3_ShadowAndAct.jpg\" \/><\/div>\n<h3><big>G3<\/big>THAI<br \/><small>Ignorance is Bliss : Ode on a Distant Prospect of Bangkok Streets 1.IGNORANCE <\/small><\/h3>\n\n<\/div>\n<\/a>\n<a href=\"program-g4\">\n<div class=\"program-d-list\">\n<div><img src=\"http:\/\/www.imageforumfestival.com\/2021\/images\/G4_Daovikarn.jpg\" \/><\/div>\n<h3><big>G4<\/big>THAI<br \/><small>Ignorance is Bliss : Ode on a Distant Prospect of Bangkok Streets 2.HAPPINESS<\/small><\/h3>\n\n<\/div>\n<\/a>\n<a href=\"program-g5\">\n<div class=\"program-d-list\">\n<div><img src=\"http:\/\/www.imageforumfestival.com\/2021\/images\/G5_PaluPost.jpg\" \/><\/div>\n<h3><big>G5<\/big>INDONESIA<br \/><small>Peculiar Indonesia Mementos <\/small><\/h3>\n\n<\/div>\n<\/a>\n<a href=\"program-g6\">\n<div class=\"program-d-list\">\n<div><img src=\"http:\/\/www.imageforumfestival.com\/2021\/images\/G6_GoldenMemories.jpg\" \/><\/div>\n<h3><big>G6<\/big>INDONESIA<br \/><small>Rereading, Reclaiming: Indonesian Home Movies <\/small><\/h3>\n\n<\/div>\n<\/a>\n<a href=\"program-g7\">\n<div class=\"program-d-list\">\n<div><img src=\"http:\/\/www.imageforumfestival.com\/2021\/images\/G7_Untitled77-A.jpg\" \/><\/div>\n<h3><big>G7<\/big>SOUTH KOREA<br \/><small>Radical South Korean Film Collectives of the 70s-80s: Kaidu Club and Yalashung<\/small><\/h3>\n\n<\/div>\n<\/a>\n<a href=\"program-g8\">\n<div class=\"program-d-list\">\n<div><img src=\"http:\/\/www.imageforumfestival.com\/2021\/images\/G8_Himiko.jpg\" \/><\/div>\n<h3><big>G8<\/big>KAWASAKI, JAPAN<br \/><small>Program in Refuge: Kawasaki City Museum\u2019s \u201cIntersection of Contemporary Music and Film in the 1950s to the 1970s\u201d and Typhoon Hagibis 1 <\/small><\/h3>\n\n<\/div>\n<\/a>\n<a href=\"program-g9\">\n<div class=\"program-d-list\">\n<div><img src=\"http:\/\/www.imageforumfestival.com\/2021\/images\/G9_TheOndegoza.jpg\" \/><\/div>\n<h3><big>G9<\/big>KAWASAKI, JAPAN<br \/><small>Program in Refuge: Kawasaki City Museum\u2019s \u201cIntersection of Contemporary Music and Film in the 1950s to the 1970s\u201d and Typhoon Hagibis 2 <\/small><\/h3>\n\n<\/div>\n<\/a>\n<a href=\"program-talk1\">\n<div class=\"program-d-list\">\n<div><img src=\"http:\/\/www.imageforumfestival.com\/2021\/images\/back-img03.jpg\" \/><\/div>\n<h3><big>TALK1<\/big>Panel Discussion 1<br \/><small>WHEN DISASTER CHANGES CINEMA<\/small><\/h3>\n\n<\/div>\n<\/a>\n<a href=\"program-talk2\">\n<div class=\"program-d-list\">\n<div><img src=\"http:\/\/www.imageforumfestival.com\/2021\/images\/back-img03.jpg\" \/><\/div>\n<h3><big>TALK2<\/big>Panel Discussion 2<br \/><small>NAVIGATING THROUGH THE (POLITICAL) TURBULENCE<\/small><\/h3>\n\n<\/div>\n<\/a>\n<div class=\"clear\"><\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>The existence of \u201cfilm\u201d is under threat for various reasons, including natural disasters and political strife. Material to be screened disappears or is damaged\/degrades. Screening sites and programming itself may also be exposed to crises. What can film do survive when circumstances arise in which it is difficult for \u201cfilm\u201d to exist? This program looks [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"program.php","meta":{"_locale":"en_US","_original_post":"http:\/\/www.imageforumfestival.com\/2021\/?page_id=3198"},"_links":{"self":[{"href":"https:\/\/www.imageforumfestival.com\/2021\/wp-json\/wp\/v2\/pages\/3200"}],"collection":[{"href":"https:\/\/www.imageforumfestival.com\/2021\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.imageforumfestival.com\/2021\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.imageforumfestival.com\/2021\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.imageforumfestival.com\/2021\/wp-json\/wp\/v2\/comments?post=3200"}],"version-history":[{"count":5,"href":"https:\/\/www.imageforumfestival.com\/2021\/wp-json\/wp\/v2\/pages\/3200\/revisions"}],"predecessor-version":[{"id":3400,"href":"https:\/\/www.imageforumfestival.com\/2021\/wp-json\/wp\/v2\/pages\/3200\/revisions\/3400"}],"wp:attachment":[{"href":"https:\/\/www.imageforumfestival.com\/2021\/wp-json\/wp\/v2\/media?parent=3200"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}