{"id":2477,"date":"2020-09-23T14:20:31","date_gmt":"2020-09-23T05:20:31","guid":{"rendered":"http:\/\/www.imageforumfestival.com\/2021\/?page_id=2477"},"modified":"2021-09-23T11:22:11","modified_gmt":"2021-09-23T02:22:11","slug":"program-d","status":"publish","type":"page","link":"https:\/\/www.imageforumfestival.com\/2021\/en\/program-d","title":{"rendered":"D East Asian Experimental Competition4"},"content":{"rendered":"<div class=\"film-list\">\n<div class=\"capimg\"><img src=\"http:\/\/www.imageforumfestival.com\/bosyu2021\/images\/24_SonataForSmoke.jpg\" alt=\"\" \/><br \/>\nportrait by Fritz Beck<\/div>\n<div><span>Hong Kong<\/span><\/p>\n<h2>Sonata for smoke <\/h2>\n<h3>Samson YOUNG \/ digital \/ 16min. \/ 2021 <\/h3>\n<p>Samson YOUNG \u2015 a world-renowned sound artist from Hong Kong \u2015 presents cinematic work based on his action\/performance created during his residence at Kenninji Temple in Kyoto. His performance, which reinterprets the meaning of sound and space, was recorded, edited, and reproduced, creating a cinematic and musical narrative that transcends the limits of documenting reality.<\/p>\n<p><img src=\"\/2021\/images\/D1_SamsonYoung_credit_portrait_by_Fritz_Beck[ref_B8A9150].jpg\" class=\"port\" alt=\"\" \/><strong>Samson YOUNG <\/strong><br \/>\nMulti-disciplinary artist Samson Young (born 1979, Hong Kong) works in sound, performance, video, and installation. He graduated with a Ph.D. in Music Composition from Princeton University in 2013. In 2017, he represented Hong Kong at the 57th Venice Biennale. Other solo projects include the De Appel, Amsterdam; Kunsthalle D\u00fcsseldorf; Talbot Rice Gallery, Edinburgh; SMART Museum, Chicago; Centre for Contemporary Chinese Art in Manchester; M+ Pavilion, Hong Kong; Mori Art Museum, Tokyo; Ryosoku-in at Kenninji Temple, Kyoto; and Monash University Museum of Art, Melbourne, among others. In 2020, he was awarded the inaugural Uli Sigg Prize.\n<\/div>\n<\/div>\n<div class=\"film-list\">\n<img src=\"http:\/\/www.imageforumfestival.com\/bosyu2021\/images\/10_RedTable.jpg\" alt=\"\" \/><\/p>\n<div><span>Sonth Korea \/ Japan<\/span><\/p>\n<h2>RED TABLE<\/h2>\n<h3>KIM Hakhyun \/ digital \/ 7min. \/ 2021<\/h3>\n<p>This drawing animation depicts an unfolding surrealistic scene from a conundrum of everyday life. We see a boy wearing sunglasses and cross marks over his eyes playing with toy trains on a red table. For some reason, a stack of banknotes is present there, and the boy picks them up, holding them like cards. A dog barks, a toy freight train carries the stuffed dog toy. All of a sudden, it turns into a skeleton &#8230;<\/p>\n<p><img src=\"\/2021\/images\/D2_KimHakhyun.jpg\" class=\"port\" alt=\"\" \/><strong>KIM Hakhyun<\/strong><br \/>\nKIM (Born in 1982, Seoul, Korea) finished the animation course of Tokyo University of the Arts Graduate School of Film and New Media in 2013. KIM currently works as an assistant professor at Tokyo Polytechnic University Faculty of the Arts Animation Course. His works include Greeum (2010), Awaiting (2011), MAZEKING (2012) and Jungle Taxi (2016).\n<\/div>\n<\/div>\n<div class=\"film-list\">\n<img src=\"http:\/\/www.imageforumfestival.com\/bosyu2021\/images\/05_ReturnToThePeachBlossomWanderland.jpg\" alt=\"\" \/><\/p>\n<div><span>Mainland China<\/span><\/p>\n<h2>Return to the Peach Blossom Wonderland <\/h2>\n<h3>HUANG Yue, LUO Yuchao, PENG Haomin \/ digital \/ 19min. \/ 2020 <\/h3>\n<p>In an ancient Chinese fable from approximately 1600 years ago, \u201cThe Peach Blossom Spring\u201d (\u6843\u82b1\u6e90\u8a18), a utopian world is described as having \u201cneatly arranged residences.\u201d Is today&#8217;s modernized China similar to this imaginary utopia? In this painstakingly made piece of work, conceived in a cartoon-like manner with a touch of black and white watercolor, a three-screen multi-image reveals various modes of living in a skyscraper. This work received the Grand Jury Prize as the Best Animated Short at<br \/>\nthe 2021 Slamdance Film Festival.<\/p>\n<p><img src=\"\/2021\/images\/D3-1_YueHuang.jpg\" class=\"port\" alt=\"\" \/><strong>HUANG Yue <\/strong><br \/>\nAn inter-media artist who graduated from the Cross-Media Studio of Guangzhou Academy of Fine Arts in 2020. His works focus on moving images, installations and media art, and explore the relationship between media and contemporary life.<\/p>\n<p><img src=\"\/2021\/images\/D3-2_YuchaoLuo.jpg\" class=\"port\" alt=\"\" \/><strong>LUO Yuchao<\/strong><br \/>\nA new media artist who graduated from Guangzhou Academy of Fine Arts in 2020. His work is devoted to exploring the relationship between people, cities, nature and technology through moving images, interactive experiences and installations.<\/p>\n<p><img src=\"\/2021\/images\/D3-3_HaominPeng.jpg\" class=\"port\" alt=\"\" \/><strong>HAOMIN Peng <\/strong><br \/>\nAn independent animation director and new media artist. In 2021, He received his BFA degree from School of the Art Institute of Chicago, where he was awarded Barbara Zenner Award for outstanding New Artist in Film, Video, New Media &#038; Animation. His work has been screened at a number of festivals and exhibitions including Slamdance Film Festival (with a Grand Jury Prize), GLAS Animation Festival, Feinaki Beijing Animation Week.\n<\/div>\n<\/div>\n<div class=\"film-list\">\n<img src=\"http:\/\/www.imageforumfestival.com\/bosyu2021\/images\/06_KsRoom.jpg\" alt=\"\" \/><\/p>\n<div><span>Taiwan<\/span><\/p>\n<h2>K\u2019s room\u2013the creation and destruction of the world <\/h2>\n<h3>HUNG Wei-Lin \/ digital \/ 15min. \/ 2020 <\/h3>\n<p>Ke Qi-hua, the author of &#8220;New English Grammar&#8221; read aloud in the film, is said to have been imprisoned many times in Taiwan under martial law, suspected of being a dissident intellectual. A &#8220;room&#8221; is a metaphor for his mental state, and the monotonous English sentences being pronounced are followed by a collage of recorded images and letters sent from prison to his family \u2015 cinematically recreating the spatial and temporal experiences of his life.<\/p>\n<p><img src=\"\/2021\/images\/D4_Wei-LinHUNG.jpg\" class=\"port\" alt=\"\" \/><strong>HUNG Wei-Lin  <\/strong><br \/>\nHUNG Wei-Lin is an independent video artist graduated from ESEC, France (\u00c9cole sup\u00e9rieure d&#8217;\u00e9tudes cin\u00e9matographiques). Once worked as a TV screenplay writer, a TV program manager, and a film marketing specialist, now she focuses on film innovations and screenplay writings, attempting to make voices of the histories hidden and of the memories forgotten throughout time.\n<\/div>\n<\/div>\n<div class=\"film-list\">\n<img src=\"http:\/\/www.imageforumfestival.com\/bosyu2021\/images\/17_Parallax.jpg\" alt=\"\" \/><\/p>\n<div><span>Japan<\/span><\/p>\n<h2>Parallax<\/h2>\n<h3>NOVE Hayato \/ digital \/ 34min. \/ 2021 <\/h3>\n<p>Two unusual characters, resembling a parent and a child, are wandering around. Doors and boxes reminiscent of elevators are effectively incorporated, the space is transforming, and ritual movements repeat on this journey without an end. &#8220;Parallax&#8221; is symbolically represented. One mystery follows another &#8211; and the pleasant composition progresses attractively. You can truly feel the charm of an animation that speaks using &#8220;pictures and movements.&#8221;<\/p>\n<p><img src=\"\/2021\/images\/D5_NoveHayato.jpg\" class=\"port\" alt=\"\" \/><strong>NOVE Hayato <\/strong><br \/>\nHe started working on his animation films in 2007 and has made Caterpillar (2013) and Affordance (2016) which was screened at several film festivals including the past Image Forum Festival.\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>portrait by Fritz Beck Hong Kong Sonata for smoke Samson YOUNG \/ digital \/ 16min. \/ 2021 Samson YOUNG \u2015 a world-renowned sound artist from Hong Kong \u2015 presents cinematic work based on his action\/performance created during his residence at Kenninji Temple in Kyoto. His performance, which reinterprets the meaning of sound and space, was [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"program.php","meta":{"_locale":"en_US","_original_post":"http:\/\/www.imageforumfestival.com\/2021\/?page_id=499"},"_links":{"self":[{"href":"https:\/\/www.imageforumfestival.com\/2021\/wp-json\/wp\/v2\/pages\/2477"}],"collection":[{"href":"https:\/\/www.imageforumfestival.com\/2021\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.imageforumfestival.com\/2021\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.imageforumfestival.com\/2021\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.imageforumfestival.com\/2021\/wp-json\/wp\/v2\/comments?post=2477"}],"version-history":[{"count":4,"href":"https:\/\/www.imageforumfestival.com\/2021\/wp-json\/wp\/v2\/pages\/2477\/revisions"}],"predecessor-version":[{"id":3192,"href":"https:\/\/www.imageforumfestival.com\/2021\/wp-json\/wp\/v2\/pages\/2477\/revisions\/3192"}],"wp:attachment":[{"href":"https:\/\/www.imageforumfestival.com\/2021\/wp-json\/wp\/v2\/media?parent=2477"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}