{"id":4655,"date":"2023-09-30T09:26:06","date_gmt":"2023-09-30T00:26:06","guid":{"rendered":"http:\/\/www.imageforumfestival.com\/2023\/?page_id=4655"},"modified":"2023-10-19T18:16:00","modified_gmt":"2023-10-19T09:16:00","slug":"program-m1","status":"publish","type":"page","link":"http:\/\/www.imageforumfestival.com\/2023\/en\/program-m1","title":{"rendered":"\u300aM1\u300bTHE ASTONISHING FRAME 16mm Restorations from the Academy Film Archive"},"content":{"rendered":"<p><strong>A selection of experimental films representing the 70s West Coast USA, restored by the Academy Film Archive.<\/strong><br \/>\nThe Academy of Motion Picture Arts and Sciences of the United States, the organizer of the world-renowned Academy Awards, is also in the business of preserving and restoring films. Its scope extends not only to so-called major films and commercial films, but also to avant-garde films. The Academy places particular emphasis on works by local filmmakers from the Los Angeles area. The program includes gems from the 70s and 80s, including some that have never been shown in Japan before.<\/p>\n<p>Curation: Mark TOSCANO (Academy Film Archive)<\/p>\n<div class=\"film-list\">\n<div class=\"capimg\"><img decoding=\"async\" src=\"\/2023\/images\/M1-1_waterfall.jpg\" alt=\"\" \/>Waterfall<\/div>\n<div>\n<strong>Waterfall<\/strong>\u3000\u3000Chick STRAND \/ 16mm \/ 3min. \/ 1968 (USA)<br \/>\n<strong>Roseblood<\/strong>\u3000\u3000Sharon COUZIN \/ 16mm \/ 7min. \/ 1974 (USA)<br \/>\n<strong>Pasadena Freeway Stills<\/strong>\u3000\u3000Gary BEYDLER \/ 16mm \/ 6min. \/ 1974 (USA)<br \/>\n<strong>Place Mattes<\/strong>\u3000\u3000Barbara HAMMER \/ 16mm \/ 8min. \/ 1987 (USA)<br \/>\n<strong>Primary Stimulus<\/strong>\u3000\u3000Robert RUSSETT \/ 16mm \/ 8min. \/ 1977(1988) (USA)<br \/>\n<strong>Analogies<\/strong>\u3000\u3000Peter ROSE \/ 16mm \/ 14min. \/ 1977 (USA)<br \/>\n<strong>Twelve (The First Three Parts\u2026)<\/strong>\u3000\u3000Beth BLOCK \/ 16mm \/ 9min. \/ 1977 (USA)<br \/>\n<strong>Panorama<\/strong>\u3000\u3000Michael RUDNICK \/ 16mm \/ 12min. \/ 1982 (USA)<br \/>\n<strong>Loose Corner<\/strong>\u3000\u3000Michael RUDNICK \/ 16mm \/ 12min. \/ 1982 (USA)<br \/>\n<strong>Throbs<\/strong>\u3000\u3000Fred WORDEN \/ 16mm \/ 7min. \/ 1972 (USA)<br \/>\n<strong>\u201cYes, I Said Yes, I Will, Yes.\u201d<\/strong>\u3000\u3000Phil SOLOMON \/ 16mm \/ 3min. \/ 1999 (USA)\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>A selection of experimental films representing the 70s West Coast USA, restored by the Academy Film Archive. The Academy of Motion Picture Arts and Sciences of the United States, the organizer of the world-renowned Academy Awards, is also in the business of preserving and restoring films. Its scope extends not only to so-called major films [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"program.php","meta":{"_locale":"en_US","_original_post":"http:\/\/www.imageforumfestival.com\/2023\/?page_id=4653"},"_links":{"self":[{"href":"http:\/\/www.imageforumfestival.com\/2023\/wp-json\/wp\/v2\/pages\/4655"}],"collection":[{"href":"http:\/\/www.imageforumfestival.com\/2023\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.imageforumfestival.com\/2023\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.imageforumfestival.com\/2023\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.imageforumfestival.com\/2023\/wp-json\/wp\/v2\/comments?post=4655"}],"version-history":[{"count":2,"href":"http:\/\/www.imageforumfestival.com\/2023\/wp-json\/wp\/v2\/pages\/4655\/revisions"}],"predecessor-version":[{"id":4886,"href":"http:\/\/www.imageforumfestival.com\/2023\/wp-json\/wp\/v2\/pages\/4655\/revisions\/4886"}],"wp:attachment":[{"href":"http:\/\/www.imageforumfestival.com\/2023\/wp-json\/wp\/v2\/media?parent=4655"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}