{"id":2483,"date":"2020-09-23T14:41:17","date_gmt":"2020-09-23T05:41:17","guid":{"rendered":"http:\/\/www.imageforumfestival.com\/2022\/?page_id=2483"},"modified":"2022-09-17T12:35:32","modified_gmt":"2022-09-17T03:35:32","slug":"program-competition","status":"publish","type":"page","link":"http:\/\/www.imageforumfestival.com\/2022\/en\/program-competition","title":{"rendered":"East Asian Experimental Competition"},"content":{"rendered":"

The \u201cEast Asia Experimental Competition\u201d received a total of 461 submissions from Japan, China, Hong Kong, Taiwan, and South Korea, and after two carefully conducted rounds of screening 24 works were selected for nomination. These nominated works will be screened at each venue of the 2022 Image Forum Festival. The final evaluation will be conducted during the screenings at the Tokyo venue by the three jurors listed below, and 6 of them will be awarded prizes.<\/p>\n\n\n

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A<\/big>East Asian Experimental Competition1<\/h3>\n\n<\/div>\n<\/a>\n\n
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B<\/big>East Asian Experimental Competition2<\/h3>\n\n<\/div>\n<\/a>\n\n
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C<\/big>East Asian Experimental Competition3<\/h3>\n\n<\/div>\n<\/a>\n\n
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D<\/big>East Asian Experimental Competition4<\/h3>\n\n<\/div>\n<\/a>\n\n
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E<\/big>East Asian Experimental Competition5<\/h3>\n\n<\/div>\n<\/a>\n\n
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F<\/big>East Asian Experimental Competition6<\/h3>\n\n<\/div>\n<\/a>\n
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\n\u3000<\/p>\n
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The 24 works nominated<\/h3>\n

A Bite of Bone<\/big> YANO Honami \/ digital \/ 10min. \/ 2021 (Japan)
\nA Long Walk<\/big> Elysa WENDI & LEE Wai Shing \/ digital \/ 15min. \/ 2022 (Singapore, Hong Kong)
\nA Pile of Ghosts<\/big> Ella RAIDEL \/ digital \/ 70min. \/ 2021 (Taiwan)
\nA SHORT STORY<\/big> BI Gan \/ digital \/ 15min. \/ 2022 (China)
\nAnxious Body<\/big> MIZUSHIRI Yoriko \/ digital \/ 5min. \/ 2021 (Japan)
\nBird in the Peninsula<\/big> WADA Atsushi \/ digital \/ 16min. \/ 2022 (Japan)
\nDozens of Norths<\/big> YAMAMURA Koji \/ digital \/ 64min. \/ 2021 (Japan)
\nEnd Time and The Trajectories of Ancestors<\/big> Edwin LO Yun Ting \/ digital \/ 34min. \/ 2022 (Hong Kong)
\nFlos Pavonis<\/big> MOMOSE Aya \/ digital \/ 30min. \/ 2021 (Japan)
\nGrandma’s Scissors<\/big> Erica SHEU \/ digital \/ 6min. \/ 2021 (USA \/ Taiwan)
\nHumoresque<\/big> ISOBE Shinya \/ digital \/ 46min. \/ 2022 (Japan)
\nI’m Late<\/big> KABUKI Sawako \/ digital \/ 10min. \/ 2021 (Japan)
\nKaigan<\/big> MAEDA Aozora \/ digital \/ 12min. \/ 2022 (Japan)
\nMelting Icecream<\/big> HONG Jinhwon \/ digital \/ 70min. \/ 2021 (Korea)
\nMOLTING<\/big> BOWDA Katsushi \/ digital \/ 14min. \/ 2021 (Japan)
\nOne Thousand and One Attempts to Be an Ocean<\/big> WANG Yuyan \/ digital \/ 12min. \/ 2021 (China \/ France)
\nRehabilitation of Synthetic Human<\/big> SERIZAWA Yoichiro \/ digital \/ 49min. \/ 2022 (Japan)
\nSilver Cave<\/big> CAI Caibei \/ digital \/ 14min. \/ 2022 (China)
\nSleepin’ager Waking<\/big> FUJII Anna \/ digital \/ 11min. \/ 2021 (Japan)
\nThawing<\/big> Katsuki Nogami \/ digital \/ 3min. \/ 2021 (Japan)
\nThe cleaning lady after 100 years : Spectre<\/big> SHICHIRI Kei \/ digital \/ 19min. \/ 2022 (Japan)
\nThe House of Loss<\/big> JEON Jinkyu \/ digital \/ 10min. \/ 2022 (Korea)
\nThe Lighting<\/big> Musquiqui CHIHYING \/ digital \/ 21min. \/ 2021 (Taiwan \/ Germany)
\nTUNOHAZU<\/big> TEZKA Macoto \/ digital \/ 32min. \/ 2021 (Japan)
\n\u203bTitle Director \/ Format \/ Duration \/ Year (Director\u2019s region of birth \/ current region of residence)\n<\/div>\n

\u3000<\/p>\n

\u201cEast Asian Experimental Competition\u201d
\nfinal evaluation jury<\/h3>\n

\u3000<\/p>\n

\n
\n
\nIP Yuk Yiu<\/big>
\n(filmmaker, media artist, curator)\n<\/div>\n
\n
\nHAMA Haruka<\/big>
\n(director of Tokyo Office, Yamagata International Documentary Film Festival)\n<\/div>\n
\n
\nMA Jungyeon<\/big>
\n(researcher in film and new media studies)\n<\/div>\n<\/div>\n

\u3000<\/p>\n

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Prize<\/h3>\n

Award Ceremony\uff1a
\nOn 23rd September from 6:30pm at Theatre Image Forum<\/big><\/p>\n

\u3000\u25cfGrand Prize (1): \uffe5300,000 + Prize certificate
\n\u3000\u25cfTERAYAMA Shuji Prize (1): \uffe5100,000 + Prize certificate
\n\u3000\u25cfSHIBUYA SKY Prize (1): \uffe5100,000 + Prize certificate
\n\u3000\u25cfExcellence Prize (3): \uffe530,000 + Prize certificate
\n\u3000\u25cfAudience Prize (1): Prize certificate\n<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"

The \u201cEast Asia Experimental Competition\u201d received a total of 461 submissions from Japan, China, Hong Kong, Taiwan, and South Korea, and after two carefully conducted rounds of screening 24 works were selected for nomination. These nominated works will be screened at each venue of the 2022 Image Forum Festival. The final evaluation will be conducted […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"program.php","meta":{"_locale":"en_US","_original_post":"http:\/\/www.imageforumfestival.com\/2022\/?page_id=291"},"_links":{"self":[{"href":"http:\/\/www.imageforumfestival.com\/2022\/wp-json\/wp\/v2\/pages\/2483"}],"collection":[{"href":"http:\/\/www.imageforumfestival.com\/2022\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.imageforumfestival.com\/2022\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.imageforumfestival.com\/2022\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.imageforumfestival.com\/2022\/wp-json\/wp\/v2\/comments?post=2483"}],"version-history":[{"count":13,"href":"http:\/\/www.imageforumfestival.com\/2022\/wp-json\/wp\/v2\/pages\/2483\/revisions"}],"predecessor-version":[{"id":3774,"href":"http:\/\/www.imageforumfestival.com\/2022\/wp-json\/wp\/v2\/pages\/2483\/revisions\/3774"}],"wp:attachment":[{"href":"http:\/\/www.imageforumfestival.com\/2022\/wp-json\/wp\/v2\/media?parent=2483"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}