{"id":2481,"date":"2020-09-23T14:33:50","date_gmt":"2020-09-23T05:33:50","guid":{"rendered":"http:\/\/www.imageforumfestival.com\/2022\/?page_id=2481"},"modified":"2022-09-17T16:11:58","modified_gmt":"2022-09-17T07:11:58","slug":"program-f","status":"publish","type":"page","link":"http:\/\/www.imageforumfestival.com\/2022\/en\/program-f","title":{"rendered":"F East Asian Experimental Competition6"},"content":{"rendered":"
\n\"\"<\/p>\n
Japan<\/span><\/p>\n

MOLTING <\/h2>\n

BOWDA Katsushi \/ digital \/ 14min. \/ 2021 <\/h3>\n

A work of three-dimensional animation set in a space like a garbage dump left behind by an extinct humanity. An entity that sometimes takes human form and sometimes the form of something else proceeds through several areas, such as a giant library and a space with the wreckage of rockets lined up in a row, molting as it does so. What will be its final form? A passion project by BOWDA Katsushi, known as the director of NHK\u2019s Robot Paruta.<\/p>\n

\"\"BOWDA Katsushi <\/strong>
\nBorn in 1964. BOWDA Katsushi started working on independent animation films as a student. In 2002, he established BOWDA\u2019S LTD. The independent film, Pulsar has drawn public attentions at film festivals and on TV. Later on, he made Kaidouriki REAL which has won the excellent film award at Japan Media Arts Festival and premiered internationally. He has been recognized as a creator of Robot Apartments, the short animation series on NHK TV program. Currently, he works on ads, music videos, planning and directing puppet animations, and more.\n<\/div>\n<\/div>\n

\n\"\"<\/p>\n
Hong Kong<\/span><\/p>\n

End Time and The Trajectories of Ancestors <\/h2>\n

Edwin LO Yun Ting \/ digital \/ 34min. \/ 2022 <\/h3>\n

An unusual documentary that tells the history of the State of Montana and America\u2019s indigenous people using screens from a video game set in that state in which you fight a cult. While conscious of the debate over violence and cultural appropriation in videogames, it also references various problems in the process of America becoming a country, such as violence, racial issues, and colonialism.<\/p>\n

\"\"Edwin LO Yun Ting <\/strong>
\nEdwin LO Yun Ting is an artist and researcher working across video, image, installation, sound, and video game. Since 2008, LO\u2019s works are widely presented in various local and overseas exhibitions, festivals and residencies such as Palais de Tokyo (2014), Tokyo Arts and Space (2017) and Loop Barcelona (2019), FCDEP (2020, 2021) and Pesaro Film Festival (2020).\n<\/div>\n<\/div>\n

\n\"\"<\/p>\n
Japan<\/span><\/p>\n

Bird in the Peninsula <\/h2>\n

WADA Atsushi \/ digital \/ 16min. \/ 2022<\/h3>\n

The latest film by WADA Atsushi, whose works deal with themes of \u201cspaces in between\u201d and \u201cpleasurable motion.\u201d It was selected for the Berlinale Shorts program at the 2022 Berlin International Film Festival. Boys are practicing dancing in time with flutes and drums. The teacher in charge blows a whistle and corrects the children\u2019s movements. Then a girl with a backpack runs in intent on joining them…<\/p>\n

\"\"WADA Atsushi <\/strong>
\nBorn in 1980. Graduated from Osaka Kyoiku University, Image Forum Institute of Moving Image and Tokyo University of the Arts. Began to create the short animation works in self-study from 2002. Like to make comfortable movements and is always thinking about the Japanese traditional concept called \u201cMa\u201d, the tension produced between movements. In a Pig\u2019s Eye (2010) has been nominated at Zagreb, Annecy, Hiroshima, and Ottawa, and won the Best Film at Fantoche International Animation Film Festival, and Grand Prix at London International Animation Film Festival. The Mechanism of Spring (2010) premiered at the Venice Film Festival and The Great Rabbit (2012) won the Silver Bear at the Berlin International Film Festival.\n<\/div>\n<\/div>\n

\n\"\"<\/p>\n
Japan<\/span><\/p>\n

Flos Pavonis<\/h2>\n

MOMOSE Aya \/ digital \/ 30min. \/ 2021 <\/h3>\n

\u201cFlos Pavonis\u201d is a herb that was used as an abortifacient by enslaved black women with unwanted pregnancies under colonial rule. In 2021, Poland had just made abortion illegal, and in Japan people\u2019s activities continued to be limited by the COVID-19 pandemic. A story of their own bodies being oppressed is told through the email correspondence of two women in these countries.<\/p>\n

\"\"MOMOSE Aya <\/strong>
\nBorn in Tokyo in 1988. Her major works are An Interview with Mr. Kinoshita: Detaching the Voice (2013) and Jokanaan (2019). Recently, Exchange Diary (2018), a collaborative work with IM Heung-soon, has been invited to be one of the official selection at 20th Jeonju International Film Festival.\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Japan MOLTING BOWDA Katsushi \/ digital \/ 14min. \/ 2021 A work of three-dimensional animation set in a space like a garbage dump left behind by an extinct humanity. An entity that sometimes takes human form and sometimes the form of something else proceeds through several areas, such as a giant library and a space […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"program.php","meta":{"_locale":"en_US","_original_post":"http:\/\/www.imageforumfestival.com\/2022\/?page_id=2244"},"_links":{"self":[{"href":"http:\/\/www.imageforumfestival.com\/2022\/wp-json\/wp\/v2\/pages\/2481"}],"collection":[{"href":"http:\/\/www.imageforumfestival.com\/2022\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.imageforumfestival.com\/2022\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.imageforumfestival.com\/2022\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.imageforumfestival.com\/2022\/wp-json\/wp\/v2\/comments?post=2481"}],"version-history":[{"count":5,"href":"http:\/\/www.imageforumfestival.com\/2022\/wp-json\/wp\/v2\/pages\/2481\/revisions"}],"predecessor-version":[{"id":3784,"href":"http:\/\/www.imageforumfestival.com\/2022\/wp-json\/wp\/v2\/pages\/2481\/revisions\/3784"}],"wp:attachment":[{"href":"http:\/\/www.imageforumfestival.com\/2022\/wp-json\/wp\/v2\/media?parent=2481"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}